A picture is worth a thousand words. After analyzing this phrase, I connected it with the standardized modes of a dress code that offer a protective cover up since the time when the distinction between private space and public space first emerged. There is a need to project ones self and ones inner feelings.
Appearance was a cover for the real individual hiding within. The implication is that a persons clothing somehow reflects his or her character. In making clothing choices they demonstrate their awareness that a style or mode of appearance has meaning
The choice of a dress might express a personal vision, mirror an emotional state or explore a physical, psychological and social subtext within representation of the self.
Dress is a way society can judge a persons personalities, morals, etc. by a single glance. Dress is the expression of ones life to the public. The way a person dresses attracts the attention of the desired type of person. It is, in a way, a method of a human mating call. The messages we send through our clothing are our way of communicating to the familiar and the strange without saying a single word. We are raised to dress in a way that expresses our wants or desires. We literally wear our beliefs and upbringings on our sleeves.
However, what if dress codes stopped sending messages and hidden meanings Would we, as a human race, be able to trust as easily if our clothes did not give us a first impression What about our technology today Could it help us to find a look that fit our personalities and shape our societies without a single stitch made
As Issac Bashevis Singer once said, What a strange power there is in clothing (Quotations). Clothing does have a power and it is sometimes strange. As I will explain, clothing has an effect on human nature. It can project the feelings of the user and implore certain emotions and thoughts of the observer. Clothing can help a person experience emotions that have been seldom experienced before. One can gather unknown courage and audacity just from his clothes. It can relinquish courage, hope, spontaneity, and love. Clothing is indeed a strange power. It is a power that has fascinated the general public, the wearers, and the researchers for generations. It is a power that Im sure will continue to do so for years to come.
A persons physical clothing is only one of the many first impressions gathered by an observer. Types of spiritual clothing also exist, called an aura. Auras are the actual colors a persons body gives off to reflect a mood or experience. Many claim to be able to read these articles of spiritual clothing, while others write them off as phenomena of the mind.
In the complex human mind, we are constantly cataloging the different objects we come in contact with everyday. Only a handful of inanimate objects give us a certain emotion or feeling. However, these seemingly lifeless objects are brought to life in such a way that only the person affected can explain.
In todays technologically advanced world, we can design an article of clothing without picking up a needle and thread. Our imaginations can freely run as we design, redesign, and evaluate clothing that began as a small idea in our cognitive wheels. We are given the gift of possibility. However, this gift is endless and is given as a result of hard work and advancement by the world before today. We owe our technology to those who spent their lives developing it so we could be happy and enlightened beyond our wildest dreams.
According to a popular common knowledge dictionary, the phrase dress code holds the meaning A set of rules, as in a school, indicating the approved manner of dress (Dress). More than likely, this is the meaning of dress code that we are all familiar with and use to describe our approved manner of dress. However, this definition strikes me as odd, particularly the word approved. Another definition one might find to be more appealing is A work dress code is a set of standards that companies develop to help provide their employees with guidance about what is appropriate to wear to work (Heathfield). This definition is more appealing to the eyes and ears because the second definition gives its reader the helpful approach appearance. On the other hand, the first definition gives the non-negotiable set of rules appearance. Either way, a dress code is meant to ensure the workplaces reputation and appearance in the public eye.
In societies all over the world, we are taught from a very young age what is acceptable to wear and in what venue. However, who made these dress codes acceptable and approvable It all comes down to the meanings and messages certain clothing items give to an outsider, or observer. For example, if a female lawyer were to wear a short skirt and fishnet tights for a court appearance, she would, in the least, not meet the approved dress code for a court of law. This is because it sends the wrong, unprofessional message. Throughout history people have associated the showing of skin with pride, foolishness, and deceitfulness. This pre-judgment doomed the revealing clothes from the beginning in a respectable, reputable workplace. Dawn Rosenberg McKay, a writer to advice and guidance, has said that even if the dress code is not in actual writing, one must look around and see what hisher colleagues are wearing. She also says to use your best judgment when choosing a workplace and likewise, workplace attire (McKay). Clothing does send a message. Whether we like the message or not is irrelevant in the eyes of the critical public.
Another example of the message clothing can give comes from a literature work by Nathaniel Hawthorne. In his classic book, The Scarlet Letter, Hester Prynne is caught in an adulteress affair after she becomes pregnant while her husband is away. She is forced to stitch and wear a scarlet red letter A (Hawthorne). This marked her place in society (which was at the bottom of the societal totem pole, I might add) as an adulteress and one full of sin. The public, local or not, knew what the A stood for and automatically assumed she was a terrible person and sinner. All from that one piece of clothing, she was automatically shunned and never given a second chance. Her life and dreams became tied to her clothing. This is just one way a message was given by a piece of clothing in a long ago time and place.
Messages and meanings of clothing have been the basis of the School Uniform debate for many decades and in many countries, as they have been viewed as the dress code in the education world. Many schools have been using uniforms as a way to control the message students, particularly teenage students, are sending to each other and the staff. The schools want to be viewed as a welcoming and reliable source of education and respect. However, when its students wear clothing that show they do not care what they look like and they do not concur with school policies and respectability, then the public will view that school as an eye-sore and will seek to quiet the messages the students are sending.
According to recent surveys and polls, some of the reasons for having a school uniform preset can include it would save parents money, would save parents and students time in the mornings, and students would not be embarrassed by the quality and brand of their clothing if they were not able to afford the societal best at that time. Some of the reasons against having a preset school uniform can include school uniforms can be expensive, uniforms will cut down on students individuality and freedom of expression, and uniforms could stifle the creativity of future writers, actors, artists, politicians, and inventors (School).
As stated before, school uniforms are the topic of debate in many schools, and have been for years.
However, in recent years with terrorist attacks becoming more common, the uniforms have not only become a debate over individuality, meaning, and message, but of safety as well. For example, if a natural disaster or terrorist attack occurred at or near a school, how would the victims be easily identified by law enforcement so that would could be given to thousands of concerned parents The parents would describe their childs clothing for that day and it would turn out to be the same description as every other child in the school. It would take twice as long to find the correct child that goes with the correct set of parents. The time, energy, and resources wasted when running identification queries through DNA records, fingerprint databases, and dental records would escalate the panic of the adults waiting to hear from their child. Many parents possess a strong fear of this situation now more than ever as our worst nightmares are becoming reality everyday in our world of anger and war. This example proves the negative effects of a school dress code.
Another way dress code can be used as a marking, or identification, is when a specified colortype of clothing is worn to show your allegiance to a gang. Gangs are a major issue that law enforcement officers have been dealing with for decades and in most jurisdictions. Gangs are notorious for their violent natures and their possessiveness of their turfs. When a person sees a group dressed alike and loitering on a street corner together, he automatically assumes this is a gang of some sort. He experiences fear and anxiety just from knowing that group of people are trouble and very dangerous to the public. This is a prime example of how clothing spurs an emotion. The dress code has now become a fear factor, as well as a sign of hatred and anger.
Clothing gives a mixed result of meanings and messages. However, the meanings and messages are always present when one looks at clothing and dress. Dress codes are made to guide the average worker, or student, in that chapter of hisher life. The right or wrong dress code debate will always remain as long as humans think freely and stand up for what they believe is the appropriate method of living.
Clothing can stir emotions of all kinds. No matter how mild or moderate the emotion may be, it still stirs them. Colors send us to new emotional heights we never thought were possible. Clothing patterns and similarities in a group of people send fear through our hearts and souls. We are now at the mercy of impressions that have been gathered from a single glance.
Clothing has not only been classified into a code, but has been embedded into our souls (whether we realize it or not). This spiritual clothing is derived from the human aura. The aura, or spiritual human color, is a phenomenon that has baffled researchers and subjects, the same. As Craig Lang expressed in his research results, Ones aura is said to vary in thickness, intensity, structure, etc. according to ones physical, mental, or spiritual state at that particular moment (Lang). It is how humans display their emotions at any given moment in an invisible force-field, if you will.
Many have been trained on techniques in the area of reading auras. However, some claim to possess the natural ability to do so. A reader of an aura possesses very similar characteristics and techniques as that of a psychic, or one who can read minds. Like a psychic attempting to read someones mind, when one reads an aura, he is in a trance, or state of concentration, and can focus only on the human subject heshe is trying to read. Lang also states that a persons aura is a color. That color is dependent upon the subjects mental or emotional state at that given moment (Lang). This research proves that our association of emotion with a particular color is very real and can be observed in the aura phenomenon.
Many skeptics believe that auras do not exist at all. Those people who believe and have dedicated their lives to the research and study of the human aura say that it is an electro-magnetic or bio-electric field that surround living things (Wagner). This means that any living creature can give off an aura, not just humans. Auras could be the explanation for the feeling of happiness when seeing the yellow rays of the sun. Auras could be the reason for feeling cold when the sky is blue and white snow covers the ground. Our emotions are effected by colors and auras could be the reason we associate certain colors with certain feelings and objects.
It is human nature to associate certain colors with certain emotions. For example, dark colors (like black and navy) tend to represent depression, sadness, and hopelessness. Light colors (like yellow and orange) tend to represent happiness, satisfaction, and hopefulness. Whether we realize it or not, we look for clothes to reflect our current moods. We wear light, pastel colors on days that we feel happy and hopeful. We likewise wear dark colors on days that we feel sad and depressed. Colors such as green and purple tend to represent our mellow attitudes. Red, on the other hand, represents our passionate emotions. These can include anger, love, ambition, courage, and sometimes promiscuity. Colors invoke emotions of all kinds at any given time. It is in our natural realm to take note of our surrounding colors and absorb them in our emotions.
Dark colors have been a topic in the psychological world for many years. Since black andor navy is associated with the emotions of sadness and depression, teenagers that wear only these colors in clothing are thought to be in a dark place that they should never be in at that point in their young lives. These young people of the teenage years are thought to be dangerous, unpredictable, and at times, reckless. They are the type of person that is put on school watch list for drugs, weapons, violence, and mass chaos instigators. These labels are all made on the assumptions gathered from a persons color of clothing preference Our clothing and human auras are now defining our personalities and possibilities without our permission.
Aura colors have not only been used in research of the supernatural realm, but in the scientific realm as well. The first picture of an aura was taken in 1891 by Nicola Testla using a special camera that was linked to a set of hand sensors. By connecting the photograph to the human subject, it was indeed possible to capture the aura of the subject through hisher senses (Ingle). This type of camera technology was extremely advanced for the nineteenth century world. However, this idea, of photographing an aura, has been the basis for determining the root of migraines in the human cranium. Since millions of people around the world experience migraines on a daily basis, this research has come to be quite a relief as it progresses. These photographs of migraine auras have given scientists and doctors a new way of pin-pointing the origin of a migraine and the bodys response to the migraine.
A migraine aura has become the topic of many debates and lectures within the professionals of the International Headache Society. Michael Bjorn Russel and Jes Oleson conducted a study on the migraine aura and its components. They concluded that out of the four-thousand people tested only one hundred sixty-three had a migraine with an aura. They also said that Sixty-two had attacks of migraine aura with headache as well as migraine aura without headache, and seven had exclusively migraine aura without headache. Visual symptoms were most frequent (ninety-nine percent), followed by sensory (thirty-one percent), aphasic (eighteen percent) and motor (six percent) symptoms (Russell and Olesen).
During their study, Russell and Olesen documented how each aura appeared. They found that the visual aura began as a flickering, uncolored, zig-zag line in the center of the visual field an affect the central vision. The aura gradually progresses toward the periphery of the one hemifield and often leaves a scotoma (Russell and Olesen). Likewise, they found and documented that the typical sensory aura is unilateral, starts in the hand, progresses towards the arm and then affects the face and tongue. The Typical motor aura is half-sided and affects the hand and arm. The visual, sensory, and aphasic auras rarely lasted greater than one hour, while the motor aura did in sixty-seven percent (six out of nine) (Russell and Olesen).
To finish their conclusions, Russell and Olesen stated that Headache followed the aura in ninety-three percent, headache and aura occurred simultaneously in four percent and aura followed headache in three percent (Russell and Olesen). These results astonished the medical community and are now being followed up with more studies and likewise, more results.
The scientific world is both skeptic and intrigued by the possibility of aura existence and the colors they give off. In the future, doctors may be able to accurately pin-point areas of disease and hurt and concur on a diagnosis faster than ever dreamed in the past. Science would meet the supernatural, and they would exist harmoniously.
In addition to research on the paranormal side of emotional association, research has been conducted for centuries on inanimate objects and their emotional association with the living. Since inanimate objects constantly surround the living, it is no surprise to many that they carry emotion to the observer, or subject. Many times, inanimate objects can remind a person of an event or time in hisher life. Therefore, emotion is transcended from the inanimate object to a subject.
Richard H. Passman once wrote that Much debate on whether this relation is positive, negative, or independent depends on the extent to which definitions of insecurity involve psychopathology or personality and temperament (825-830). This theory is proven over and over again when a child becomes the subject of a psychologists concern because of his attachment to a plush animal. Many believe that the attachment to an inanimate object, such as a plush animal or soft blanket, can cause a difficult adjustment to adult life and life away from the persons comfort zones. It is then the responsibility of the psychologist or other adult to find out where the attachment began, why it began, and what emotions are associated with that object.
Inanimate objects provide a constant reminder of certain memories. When speaking of a childs plush toy, he may feel comfort and security because of the home he received the toy or the person who gave it to him. Love could be another emotion he holds in association with his toy. The emotions are engraved in the memories the toy reminds the child of (Dhah).
Adults have attachments to inanimate objects also. When an adult goes on a vacation, heshe usually brings back some sort of souvenir that will remind himher of the great time and relaxation the vacation provided. Every time heshe picks up or sees that souvenir, a smile will appear as the memories flood the mind of the person. Happiness is invoked from that object, as well as longing to return to the carefree days heshe experienced. A non-living object transcends an emotion on a living person through the memories the person associated with the object.
One of the best examples of an inanimate object transcending an emotion of a living being is Paris famous landmark---the Eiffel Tower. Even if one has never been to the Eiffel Tower, just the thought of it floods the brain with thoughts of love and happiness. Many have associated Paris, and likewise the Eiffel Tower, with romance and true love. Therefore these love objects, as Sarah Boesveld calls it, give us emotions we never physically associated, but mentally and emotionally (Boesveld).
The ability for an inanimate object to transcend an emotion is the basis for the marketing profession. Marketing professionals find objects that invoke a certain, pleasant emotion in order to sell its products (Suttora). For example, a company selling a line of womens shoes would choose to pick light, pastel colors in its shoe displays and commercials in order to stir the emotion of happiness in its potential customers. Marketers are experienced in finding avenues to connect with their buyers and therefore have mastered the art of bringing an inanimate object to life through emotion.
Inanimate objects are non-living and yet they give the living emotions of all kinds. Although the life of an inanimate object outlives that of its owner, it still can produce emotion for those who it did not originally belong. For example, a great-grandmothers engagement ring is often used by an heir for his future brides ring. He looks at the ring and feels happiness and love that he has known of his great-grandmother. He didnt have to be living before she passed away. He could just know the stories of his great-grandmother and her love for her husband, his great-grandfather. Love and happiness was forever woven into the ring, an inanimate object. Now, generations later, these emotions are brought to the observer and it more than likely will be unless its original owner becomes forgotten or unknown.
In recent years, inanimate objects have not only become the source for emotions, but the source for progress. This is made possible through technology, and more specifically, digital technology. Digital technology has created a whole world of sources to use when creating items in a virtual world before we do so in reality. This saves time and money on wasted materials for projects that did not meet the buyers (or creators) expectations. There are thousands of programs designed to create and fix documents, pictures, music, etc. Imagine the amounts of metal and parts that have been saved due to the technology now used to design automobiles before a piece of metal is ever cut
The fashion world has discovered a new outlet via digital technology. Clothing can be designed virtually first, and then can be physically made when the artist has made the product to his satisfaction. Pieces can be perfected and then brought to life in wondrous glory beyond the designers wildest expectations. Finally, the designer is able to connect with his imagination in a digital realm and is given opportunities that lack of expense would have inhibited. Ideas that, a century ago, may have never made it to a physical product are now being made on a computer in a living room of an average worker. At last, technology gives the gift of life to the inanimate.
One piece of technology used by many fashion designers is the Arduino technology. Arduino is a technological platform that is designed to be hooked up to sensors which feed it physical information.So, the Arduino is essentially a simple computer with eyes and ears (Sorrel). This technology has opened a world of perfection and creativity for a fashion designer, or the average person of any career. It allows a person to communicate to a computer in a human-like manner and received human-like feedback.
The technology world is unbelievable and endless to our imaginations. As human beings, we always strive to be the first and best in a race against one another. Technology is the subject of that race and when our advancements reach new heights, a gadget, such as the Arduino, is born.
Another piece of technology used in the world of high class fashion is the Anion technique using Teviron Technology. This technology has given designers all over the world the opportunity to create a type of healing through clothing for patients who have certain diseases, such as cancer. The clothing is unique and one-of-a-kind because of its negative ion technology that utilizes anions to balance the pH to slight alkaline in the body (Anion). This in turn helps to overcome cancer cells (experimentally) and offers a safer and more popular alternative to radiotherapy. This technology allegedly gives people the power to cure their cancer through the way these clothes are made. This truly is a technological miracle in both the medical and fashion worlds (Anion). In a world where incurable and curable diseases run rampant and resources are tapped to their full extent, this research comes as a blessing and miracle to the scientific world, as well as those plagued by these horrible diseases. When two worlds, fashion and science, that have no apparent similarities work together to create a better world and life for all, the accomplishments can be great and miraculous indeed. These types of accomplishments are what our world needs so desperately and should be striving to surface in every career known to man.
In conclusion, the world of clothing and fashion has been opened and joined with the science world through psychological, medical, and technological experiments and the results they produce. Over the past century or so, we have unlocked the human brain and explored its triggers, physically and emotionally. We have unlocked the sustainable secret that messages of clothing types, or dress codes, have been handed down throughout thousands of years and still hold true today. We have discovered the association made between colors and emotions. We have found that inanimate objects can transcend emotions. Technology has given us the chance to not only open a physical connection between fabric and computers, but also a communication between clothing and disease control and possibly termination.
The constant factor throughout human history has been the connection of objects, and in particular, clothing, to the human body. We are the only species that voluntarily choose clothing and consider it a necessity to our existence. Decades of work, time, money, and space has been dedicated to the research and discovery of human emotions and their connections to other living and non-living beings.
We are truly a mystery race that more complex than any other species on the planet. Our lives our built around mystery and questions. Our nature to compete with each other has opened doors to what was at one time thought to be impossible. This is clearly evident in the way we now understand how clothing gives off subliminal messages. This fact is evident in our knowledge of the associations between colors and emotions. We have now come to an understanding of the connection between the aura phenomena and the scientific proof of its existence. Inanimate objects have always transcended emotions we now recognize this as a proven occurrence in everyday life. Finally, our technology has given humans the power to produce test, procedures, and results that open our minds to endless possibilities.
Our advancements have not come without a price. Wherever there is an enlightenment in society and our minds, there is also a persecution. Although we strive to do the best in all our undertakings, we make mistakes and the wrong message is sent. This is true when we associate the light with good and the dark with bad. If we tend to lean towards a likeness of the dark colors, for whatever reason, we are unknowingly condemning ourselves to a life of speculation. On the other hand, if we tend to lean towards a likeness of the light colors, we are unknowingly setting ourselves up for a life of acceptance and possibly success. Our emotions are forever tied to what we perceive. Sometimes it is good. Sometimes it is bad.
At the end of the day, three conclusions can be drawn no matter what day and time the sun sets. These conclusions can be described briefly as such We reach for the best in all we do. We have the tools to reach our limits. We pray that our limits will never be set and our possibilities will always be endless. It all comes down to our complex mind, body, soul, heart, and need to be accepted by others. It is a web that has been weaving itself since the beginning of time. As the religious story tells of mans first appearance on earth in the form of a man and a woman named Adam and Eve. It all began with the event of which Adam and Eve realized their faults and attempted to correct them with twine and fig leaves. This was our beginning. I pray we never see our end.
Appearance was a cover for the real individual hiding within. The implication is that a persons clothing somehow reflects his or her character. In making clothing choices they demonstrate their awareness that a style or mode of appearance has meaning
The choice of a dress might express a personal vision, mirror an emotional state or explore a physical, psychological and social subtext within representation of the self.
Dress is a way society can judge a persons personalities, morals, etc. by a single glance. Dress is the expression of ones life to the public. The way a person dresses attracts the attention of the desired type of person. It is, in a way, a method of a human mating call. The messages we send through our clothing are our way of communicating to the familiar and the strange without saying a single word. We are raised to dress in a way that expresses our wants or desires. We literally wear our beliefs and upbringings on our sleeves.
However, what if dress codes stopped sending messages and hidden meanings Would we, as a human race, be able to trust as easily if our clothes did not give us a first impression What about our technology today Could it help us to find a look that fit our personalities and shape our societies without a single stitch made
As Issac Bashevis Singer once said, What a strange power there is in clothing (Quotations). Clothing does have a power and it is sometimes strange. As I will explain, clothing has an effect on human nature. It can project the feelings of the user and implore certain emotions and thoughts of the observer. Clothing can help a person experience emotions that have been seldom experienced before. One can gather unknown courage and audacity just from his clothes. It can relinquish courage, hope, spontaneity, and love. Clothing is indeed a strange power. It is a power that has fascinated the general public, the wearers, and the researchers for generations. It is a power that Im sure will continue to do so for years to come.
A persons physical clothing is only one of the many first impressions gathered by an observer. Types of spiritual clothing also exist, called an aura. Auras are the actual colors a persons body gives off to reflect a mood or experience. Many claim to be able to read these articles of spiritual clothing, while others write them off as phenomena of the mind.
In the complex human mind, we are constantly cataloging the different objects we come in contact with everyday. Only a handful of inanimate objects give us a certain emotion or feeling. However, these seemingly lifeless objects are brought to life in such a way that only the person affected can explain.
In todays technologically advanced world, we can design an article of clothing without picking up a needle and thread. Our imaginations can freely run as we design, redesign, and evaluate clothing that began as a small idea in our cognitive wheels. We are given the gift of possibility. However, this gift is endless and is given as a result of hard work and advancement by the world before today. We owe our technology to those who spent their lives developing it so we could be happy and enlightened beyond our wildest dreams.
According to a popular common knowledge dictionary, the phrase dress code holds the meaning A set of rules, as in a school, indicating the approved manner of dress (Dress). More than likely, this is the meaning of dress code that we are all familiar with and use to describe our approved manner of dress. However, this definition strikes me as odd, particularly the word approved. Another definition one might find to be more appealing is A work dress code is a set of standards that companies develop to help provide their employees with guidance about what is appropriate to wear to work (Heathfield). This definition is more appealing to the eyes and ears because the second definition gives its reader the helpful approach appearance. On the other hand, the first definition gives the non-negotiable set of rules appearance. Either way, a dress code is meant to ensure the workplaces reputation and appearance in the public eye.
In societies all over the world, we are taught from a very young age what is acceptable to wear and in what venue. However, who made these dress codes acceptable and approvable It all comes down to the meanings and messages certain clothing items give to an outsider, or observer. For example, if a female lawyer were to wear a short skirt and fishnet tights for a court appearance, she would, in the least, not meet the approved dress code for a court of law. This is because it sends the wrong, unprofessional message. Throughout history people have associated the showing of skin with pride, foolishness, and deceitfulness. This pre-judgment doomed the revealing clothes from the beginning in a respectable, reputable workplace. Dawn Rosenberg McKay, a writer to advice and guidance, has said that even if the dress code is not in actual writing, one must look around and see what hisher colleagues are wearing. She also says to use your best judgment when choosing a workplace and likewise, workplace attire (McKay). Clothing does send a message. Whether we like the message or not is irrelevant in the eyes of the critical public.
Another example of the message clothing can give comes from a literature work by Nathaniel Hawthorne. In his classic book, The Scarlet Letter, Hester Prynne is caught in an adulteress affair after she becomes pregnant while her husband is away. She is forced to stitch and wear a scarlet red letter A (Hawthorne). This marked her place in society (which was at the bottom of the societal totem pole, I might add) as an adulteress and one full of sin. The public, local or not, knew what the A stood for and automatically assumed she was a terrible person and sinner. All from that one piece of clothing, she was automatically shunned and never given a second chance. Her life and dreams became tied to her clothing. This is just one way a message was given by a piece of clothing in a long ago time and place.
Messages and meanings of clothing have been the basis of the School Uniform debate for many decades and in many countries, as they have been viewed as the dress code in the education world. Many schools have been using uniforms as a way to control the message students, particularly teenage students, are sending to each other and the staff. The schools want to be viewed as a welcoming and reliable source of education and respect. However, when its students wear clothing that show they do not care what they look like and they do not concur with school policies and respectability, then the public will view that school as an eye-sore and will seek to quiet the messages the students are sending.
According to recent surveys and polls, some of the reasons for having a school uniform preset can include it would save parents money, would save parents and students time in the mornings, and students would not be embarrassed by the quality and brand of their clothing if they were not able to afford the societal best at that time. Some of the reasons against having a preset school uniform can include school uniforms can be expensive, uniforms will cut down on students individuality and freedom of expression, and uniforms could stifle the creativity of future writers, actors, artists, politicians, and inventors (School).
As stated before, school uniforms are the topic of debate in many schools, and have been for years.
However, in recent years with terrorist attacks becoming more common, the uniforms have not only become a debate over individuality, meaning, and message, but of safety as well. For example, if a natural disaster or terrorist attack occurred at or near a school, how would the victims be easily identified by law enforcement so that would could be given to thousands of concerned parents The parents would describe their childs clothing for that day and it would turn out to be the same description as every other child in the school. It would take twice as long to find the correct child that goes with the correct set of parents. The time, energy, and resources wasted when running identification queries through DNA records, fingerprint databases, and dental records would escalate the panic of the adults waiting to hear from their child. Many parents possess a strong fear of this situation now more than ever as our worst nightmares are becoming reality everyday in our world of anger and war. This example proves the negative effects of a school dress code.
Another way dress code can be used as a marking, or identification, is when a specified colortype of clothing is worn to show your allegiance to a gang. Gangs are a major issue that law enforcement officers have been dealing with for decades and in most jurisdictions. Gangs are notorious for their violent natures and their possessiveness of their turfs. When a person sees a group dressed alike and loitering on a street corner together, he automatically assumes this is a gang of some sort. He experiences fear and anxiety just from knowing that group of people are trouble and very dangerous to the public. This is a prime example of how clothing spurs an emotion. The dress code has now become a fear factor, as well as a sign of hatred and anger.
Clothing gives a mixed result of meanings and messages. However, the meanings and messages are always present when one looks at clothing and dress. Dress codes are made to guide the average worker, or student, in that chapter of hisher life. The right or wrong dress code debate will always remain as long as humans think freely and stand up for what they believe is the appropriate method of living.
Clothing can stir emotions of all kinds. No matter how mild or moderate the emotion may be, it still stirs them. Colors send us to new emotional heights we never thought were possible. Clothing patterns and similarities in a group of people send fear through our hearts and souls. We are now at the mercy of impressions that have been gathered from a single glance.
Clothing has not only been classified into a code, but has been embedded into our souls (whether we realize it or not). This spiritual clothing is derived from the human aura. The aura, or spiritual human color, is a phenomenon that has baffled researchers and subjects, the same. As Craig Lang expressed in his research results, Ones aura is said to vary in thickness, intensity, structure, etc. according to ones physical, mental, or spiritual state at that particular moment (Lang). It is how humans display their emotions at any given moment in an invisible force-field, if you will.
Many have been trained on techniques in the area of reading auras. However, some claim to possess the natural ability to do so. A reader of an aura possesses very similar characteristics and techniques as that of a psychic, or one who can read minds. Like a psychic attempting to read someones mind, when one reads an aura, he is in a trance, or state of concentration, and can focus only on the human subject heshe is trying to read. Lang also states that a persons aura is a color. That color is dependent upon the subjects mental or emotional state at that given moment (Lang). This research proves that our association of emotion with a particular color is very real and can be observed in the aura phenomenon.
Many skeptics believe that auras do not exist at all. Those people who believe and have dedicated their lives to the research and study of the human aura say that it is an electro-magnetic or bio-electric field that surround living things (Wagner). This means that any living creature can give off an aura, not just humans. Auras could be the explanation for the feeling of happiness when seeing the yellow rays of the sun. Auras could be the reason for feeling cold when the sky is blue and white snow covers the ground. Our emotions are effected by colors and auras could be the reason we associate certain colors with certain feelings and objects.
It is human nature to associate certain colors with certain emotions. For example, dark colors (like black and navy) tend to represent depression, sadness, and hopelessness. Light colors (like yellow and orange) tend to represent happiness, satisfaction, and hopefulness. Whether we realize it or not, we look for clothes to reflect our current moods. We wear light, pastel colors on days that we feel happy and hopeful. We likewise wear dark colors on days that we feel sad and depressed. Colors such as green and purple tend to represent our mellow attitudes. Red, on the other hand, represents our passionate emotions. These can include anger, love, ambition, courage, and sometimes promiscuity. Colors invoke emotions of all kinds at any given time. It is in our natural realm to take note of our surrounding colors and absorb them in our emotions.
Dark colors have been a topic in the psychological world for many years. Since black andor navy is associated with the emotions of sadness and depression, teenagers that wear only these colors in clothing are thought to be in a dark place that they should never be in at that point in their young lives. These young people of the teenage years are thought to be dangerous, unpredictable, and at times, reckless. They are the type of person that is put on school watch list for drugs, weapons, violence, and mass chaos instigators. These labels are all made on the assumptions gathered from a persons color of clothing preference Our clothing and human auras are now defining our personalities and possibilities without our permission.
Aura colors have not only been used in research of the supernatural realm, but in the scientific realm as well. The first picture of an aura was taken in 1891 by Nicola Testla using a special camera that was linked to a set of hand sensors. By connecting the photograph to the human subject, it was indeed possible to capture the aura of the subject through hisher senses (Ingle). This type of camera technology was extremely advanced for the nineteenth century world. However, this idea, of photographing an aura, has been the basis for determining the root of migraines in the human cranium. Since millions of people around the world experience migraines on a daily basis, this research has come to be quite a relief as it progresses. These photographs of migraine auras have given scientists and doctors a new way of pin-pointing the origin of a migraine and the bodys response to the migraine.
A migraine aura has become the topic of many debates and lectures within the professionals of the International Headache Society. Michael Bjorn Russel and Jes Oleson conducted a study on the migraine aura and its components. They concluded that out of the four-thousand people tested only one hundred sixty-three had a migraine with an aura. They also said that Sixty-two had attacks of migraine aura with headache as well as migraine aura without headache, and seven had exclusively migraine aura without headache. Visual symptoms were most frequent (ninety-nine percent), followed by sensory (thirty-one percent), aphasic (eighteen percent) and motor (six percent) symptoms (Russell and Olesen).
During their study, Russell and Olesen documented how each aura appeared. They found that the visual aura began as a flickering, uncolored, zig-zag line in the center of the visual field an affect the central vision. The aura gradually progresses toward the periphery of the one hemifield and often leaves a scotoma (Russell and Olesen). Likewise, they found and documented that the typical sensory aura is unilateral, starts in the hand, progresses towards the arm and then affects the face and tongue. The Typical motor aura is half-sided and affects the hand and arm. The visual, sensory, and aphasic auras rarely lasted greater than one hour, while the motor aura did in sixty-seven percent (six out of nine) (Russell and Olesen).
To finish their conclusions, Russell and Olesen stated that Headache followed the aura in ninety-three percent, headache and aura occurred simultaneously in four percent and aura followed headache in three percent (Russell and Olesen). These results astonished the medical community and are now being followed up with more studies and likewise, more results.
The scientific world is both skeptic and intrigued by the possibility of aura existence and the colors they give off. In the future, doctors may be able to accurately pin-point areas of disease and hurt and concur on a diagnosis faster than ever dreamed in the past. Science would meet the supernatural, and they would exist harmoniously.
In addition to research on the paranormal side of emotional association, research has been conducted for centuries on inanimate objects and their emotional association with the living. Since inanimate objects constantly surround the living, it is no surprise to many that they carry emotion to the observer, or subject. Many times, inanimate objects can remind a person of an event or time in hisher life. Therefore, emotion is transcended from the inanimate object to a subject.
Richard H. Passman once wrote that Much debate on whether this relation is positive, negative, or independent depends on the extent to which definitions of insecurity involve psychopathology or personality and temperament (825-830). This theory is proven over and over again when a child becomes the subject of a psychologists concern because of his attachment to a plush animal. Many believe that the attachment to an inanimate object, such as a plush animal or soft blanket, can cause a difficult adjustment to adult life and life away from the persons comfort zones. It is then the responsibility of the psychologist or other adult to find out where the attachment began, why it began, and what emotions are associated with that object.
Inanimate objects provide a constant reminder of certain memories. When speaking of a childs plush toy, he may feel comfort and security because of the home he received the toy or the person who gave it to him. Love could be another emotion he holds in association with his toy. The emotions are engraved in the memories the toy reminds the child of (Dhah).
Adults have attachments to inanimate objects also. When an adult goes on a vacation, heshe usually brings back some sort of souvenir that will remind himher of the great time and relaxation the vacation provided. Every time heshe picks up or sees that souvenir, a smile will appear as the memories flood the mind of the person. Happiness is invoked from that object, as well as longing to return to the carefree days heshe experienced. A non-living object transcends an emotion on a living person through the memories the person associated with the object.
One of the best examples of an inanimate object transcending an emotion of a living being is Paris famous landmark---the Eiffel Tower. Even if one has never been to the Eiffel Tower, just the thought of it floods the brain with thoughts of love and happiness. Many have associated Paris, and likewise the Eiffel Tower, with romance and true love. Therefore these love objects, as Sarah Boesveld calls it, give us emotions we never physically associated, but mentally and emotionally (Boesveld).
The ability for an inanimate object to transcend an emotion is the basis for the marketing profession. Marketing professionals find objects that invoke a certain, pleasant emotion in order to sell its products (Suttora). For example, a company selling a line of womens shoes would choose to pick light, pastel colors in its shoe displays and commercials in order to stir the emotion of happiness in its potential customers. Marketers are experienced in finding avenues to connect with their buyers and therefore have mastered the art of bringing an inanimate object to life through emotion.
Inanimate objects are non-living and yet they give the living emotions of all kinds. Although the life of an inanimate object outlives that of its owner, it still can produce emotion for those who it did not originally belong. For example, a great-grandmothers engagement ring is often used by an heir for his future brides ring. He looks at the ring and feels happiness and love that he has known of his great-grandmother. He didnt have to be living before she passed away. He could just know the stories of his great-grandmother and her love for her husband, his great-grandfather. Love and happiness was forever woven into the ring, an inanimate object. Now, generations later, these emotions are brought to the observer and it more than likely will be unless its original owner becomes forgotten or unknown.
In recent years, inanimate objects have not only become the source for emotions, but the source for progress. This is made possible through technology, and more specifically, digital technology. Digital technology has created a whole world of sources to use when creating items in a virtual world before we do so in reality. This saves time and money on wasted materials for projects that did not meet the buyers (or creators) expectations. There are thousands of programs designed to create and fix documents, pictures, music, etc. Imagine the amounts of metal and parts that have been saved due to the technology now used to design automobiles before a piece of metal is ever cut
The fashion world has discovered a new outlet via digital technology. Clothing can be designed virtually first, and then can be physically made when the artist has made the product to his satisfaction. Pieces can be perfected and then brought to life in wondrous glory beyond the designers wildest expectations. Finally, the designer is able to connect with his imagination in a digital realm and is given opportunities that lack of expense would have inhibited. Ideas that, a century ago, may have never made it to a physical product are now being made on a computer in a living room of an average worker. At last, technology gives the gift of life to the inanimate.
One piece of technology used by many fashion designers is the Arduino technology. Arduino is a technological platform that is designed to be hooked up to sensors which feed it physical information.So, the Arduino is essentially a simple computer with eyes and ears (Sorrel). This technology has opened a world of perfection and creativity for a fashion designer, or the average person of any career. It allows a person to communicate to a computer in a human-like manner and received human-like feedback.
The technology world is unbelievable and endless to our imaginations. As human beings, we always strive to be the first and best in a race against one another. Technology is the subject of that race and when our advancements reach new heights, a gadget, such as the Arduino, is born.
Another piece of technology used in the world of high class fashion is the Anion technique using Teviron Technology. This technology has given designers all over the world the opportunity to create a type of healing through clothing for patients who have certain diseases, such as cancer. The clothing is unique and one-of-a-kind because of its negative ion technology that utilizes anions to balance the pH to slight alkaline in the body (Anion). This in turn helps to overcome cancer cells (experimentally) and offers a safer and more popular alternative to radiotherapy. This technology allegedly gives people the power to cure their cancer through the way these clothes are made. This truly is a technological miracle in both the medical and fashion worlds (Anion). In a world where incurable and curable diseases run rampant and resources are tapped to their full extent, this research comes as a blessing and miracle to the scientific world, as well as those plagued by these horrible diseases. When two worlds, fashion and science, that have no apparent similarities work together to create a better world and life for all, the accomplishments can be great and miraculous indeed. These types of accomplishments are what our world needs so desperately and should be striving to surface in every career known to man.
In conclusion, the world of clothing and fashion has been opened and joined with the science world through psychological, medical, and technological experiments and the results they produce. Over the past century or so, we have unlocked the human brain and explored its triggers, physically and emotionally. We have unlocked the sustainable secret that messages of clothing types, or dress codes, have been handed down throughout thousands of years and still hold true today. We have discovered the association made between colors and emotions. We have found that inanimate objects can transcend emotions. Technology has given us the chance to not only open a physical connection between fabric and computers, but also a communication between clothing and disease control and possibly termination.
The constant factor throughout human history has been the connection of objects, and in particular, clothing, to the human body. We are the only species that voluntarily choose clothing and consider it a necessity to our existence. Decades of work, time, money, and space has been dedicated to the research and discovery of human emotions and their connections to other living and non-living beings.
We are truly a mystery race that more complex than any other species on the planet. Our lives our built around mystery and questions. Our nature to compete with each other has opened doors to what was at one time thought to be impossible. This is clearly evident in the way we now understand how clothing gives off subliminal messages. This fact is evident in our knowledge of the associations between colors and emotions. We have now come to an understanding of the connection between the aura phenomena and the scientific proof of its existence. Inanimate objects have always transcended emotions we now recognize this as a proven occurrence in everyday life. Finally, our technology has given humans the power to produce test, procedures, and results that open our minds to endless possibilities.
Our advancements have not come without a price. Wherever there is an enlightenment in society and our minds, there is also a persecution. Although we strive to do the best in all our undertakings, we make mistakes and the wrong message is sent. This is true when we associate the light with good and the dark with bad. If we tend to lean towards a likeness of the dark colors, for whatever reason, we are unknowingly condemning ourselves to a life of speculation. On the other hand, if we tend to lean towards a likeness of the light colors, we are unknowingly setting ourselves up for a life of acceptance and possibly success. Our emotions are forever tied to what we perceive. Sometimes it is good. Sometimes it is bad.
At the end of the day, three conclusions can be drawn no matter what day and time the sun sets. These conclusions can be described briefly as such We reach for the best in all we do. We have the tools to reach our limits. We pray that our limits will never be set and our possibilities will always be endless. It all comes down to our complex mind, body, soul, heart, and need to be accepted by others. It is a web that has been weaving itself since the beginning of time. As the religious story tells of mans first appearance on earth in the form of a man and a woman named Adam and Eve. It all began with the event of which Adam and Eve realized their faults and attempted to correct them with twine and fig leaves. This was our beginning. I pray we never see our end.